By Museum Ludwig Cologne
A desirable perception into the photographic selection of the Museum Ludwig, Cologne whic bargains 860 works through round three hundred photographers.
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Extra info for 20th Century Photography (Klotz)
Pictured here is a representation of the viewfinder using the Nikon 51-point AF system showing one user-selected sensor in Single-point AF mode. A Available Light 36 Available light is commonly associated with photography in low-light conditions. It is, however, any natural or artificial light that can be used by the photographer to get an exposure. e. light that is added specifically by the photographer using flash or continuous light sources other than those already present in the scene. Available light is what some people refer to as ‘ambient’ light.
It can be corrected to some extent by computer software; some cameras now offer in-camera CA correction with that manufacturer’s lenses. Chromatic aberration can be seen here as green fringing to the left of the image, red fringing to the right. At small enlargements, chromatic aberration may not be noticeable but enlarging the portion of the treeline from the middle left of the main image (inset detail) shows the effect clearly. C Chromogenic Film 55 This image shows a popular brand of 35mm chromogenic film with the black-and-white negatives produced from colour development (some films do not have the orange mask shown here).
See Depth of Field 85 C Clipping 57 The idea of clipping comes from signal processing technology. If a sensor has a limit on the range of signals it can handle then once the limit is reached, higher or lower level signals are simply recorded at that limit. The sensor is said to ‘clip’ the data. In digital photography, the image sensor can only handle a certain number of light levels. Any information exceeding this range will be clipped, recorded as a maximum (highlight) or minimum (shadow) value, and information will be lost.
20th Century Photography (Klotz) by Museum Ludwig Cologne